Red Nights Filmz

The camera kit

Gear

The heart of the Red Nights Filmz kit: a Blackmagic Pocket Cinema Camera 6K Pro, caged on rails, with a Canon 16-35 mm wide-angle zoom. A compact cinema body, light enough to follow the action on the street or in the club.

Book a shoot See the gallery

Or email us: booking@rednightsfilmz.com

Caged Pocket 6K Pro with a cine lens and matte box, under the warm light of a lamp.
Blackmagic Pocket 6K Pro mounted in its cage on rails, memory card door open, in front of a brick wall.
Blackmagic Pocket Cinema Camera 6K Pro fitted with the Canon 16-35 mm zoom, top view on a white background.
The Pocket 6K Pro’s large rear touchscreen showing the recording interface, in front of a brick wall.
Blackmagic Pocket 6K Pro body without a lens, with the sensor and EF mount clearly visible.
Pocket 6K Pro caged on rails, side view, with a wooden top handle, in front of a brick wall.
Close-up of the Pocket 6K Pro’s sensor, seen through the EF mount.
Close-up of the caged Pocket 6K Pro’s ports: HDMI, USB-C, 12 V and audio.
Promo poster: “Shoot your music video — street, parking lot, night, day, underwater, we adapt! Or book a session in our studios.”
Caged Pocket 6K Pro on a tripod outdoors, with a monitor, handle and XLR audio cable.
Close-up of the Pocket 6K Pro’s side panel: mic, headphones, HDMI, 12 V, USB and audio in.
Pocket 6K Pro fitted with a matte box, under blue lighting in a dark studio.
Caged Pocket 6K Pro on rails, front three-quarter view, with a wooden handle and a monitor on top, in front of a brick wall.

Blackmagic Pocket Cinema Camera 6K Pro

Available to rent

01Specs

The cameras.

Cameras

  • Blackmagic Pocket Cinema Camera 6K Pro.

    Super 35 sensor, 6144 × 3456, up to 50 fps in 6K and 120 fps in HD. 13 stops, dual native ISO 400 / 3200. EF mount. Blackmagic RAW and ProRes. Built-in ND filters (2, 4 and 6 stops). Direct recording over USB-C.

    Used for music videos, cinematic shots, controlled interiors and daytime exteriors. It’s the kit’s image camera: colour ready for grading, light files, and the wide-angle 16-35.

  • Sony FX3.

    Full-frame sensor, 4K up to 120 fps. About 15 stops in S-Log3, S-Cinetone. E mount. 5-axis in-body stabilization. Very good in low light. 10-bit XAVC S-I, dual card slots.

    Used for night videos, alleys, gimbal work, handheld shooting and tight shots on the artist. Compact, steady handheld, reliable autofocus.

  • Canon EOS C70.

    Super 35 Dual Gain Output sensor, 4K DCI up to 120 fps. About 16 stops in Canon Log 2. RF mount, EF adapter possible. Motorized ND wheel up to 10 stops. 10-bit XF-AVC and MP4, XLR inputs.

    Used for performances, face-cam, behind-the-scenes and shoots with lots of lighting changes. Solid autofocus, cinema ergonomics, less rigging than a Pocket.

  • RED Komodo-X.

    Super 35 sensor, global shutter, 6K (6144 × 3240) up to 80 fps, 4K up to 120 fps. About 16 stops. RF mount, PL adapter possible. REDCODE RAW and ProRes.

    Used for premium music videos, strobe lighting, fast motion and shots where rolling shutter would break the image. High-end look, heavier in post than the Pocket or the FX3.

Sensor & formats
  • Pocket 6K Pro — Super 35, 6144 × 3456, up to 50 fps in 6K and 120 fps in HD. 13 stops, dual native ISO 400 / 3200. Blackmagic RAW and ProRes.
  • Sony FX3 — full frame, 4K up to 120 fps. About 15 stops in S-Log3, S-Cinetone. 10-bit XAVC S-I.
  • Canon EOS C70 — Super 35 Dual Gain Output, 4K DCI up to 120 fps. About 16 stops in Canon Log 2. 10-bit XF-AVC and MP4.
  • RED Komodo-X — Super 35, global shutter, 6K (6144 × 3240) up to 80 fps, 4K up to 120 fps. About 16 stops. REDCODE RAW and ProRes.
Lens

Canon EF 16-35 mm f/2.8L III (or f/4L IS), EF mount

Roughly 24-54 mm equivalent on the Super 35 sensor. A working wide angle: wide shots, interiors, music videos, street scenes.

Other lenses in the kit (EF mount):

  • Sigma 18-35 mm f/1.8 Art DC — the most-used zoom on the Pocket 6K. Constant aperture, cinematic look, ideal for music videos and low light.
  • Canon EF 24-70 mm f/2.8L II — standard zoom: portraits, interviews, medium shots.
  • Canon EF 24-105 mm f/4L IS — one lens covering wide to telephoto, stabilized, handy outdoors.
  • Canon EF 50 mm f/1.4 (or f/1.2L) — portrait prime, background blur, close-ups.
  • Canon EF 35 mm f/1.4L II — walk-around lens, night scenes, close shots.
  • Canon EF 85 mm f/1.4L IS — tight shots, faces, details.
  • Rokinon / Samyang Cine DS T1.5 (24, 35, 50, 85 mm) — manual cinema primes, aligned focus rings, affordable for a consistent kit.
  • Sigma 14-24 mm f/2.8 Art — wider than the 16-35, immersive shots.
Mounts
  • Pocket 6K Pro — EF
  • Sony FX3 — E
  • Canon EOS C70 — RF, EF adapter possible
  • RED Komodo-X — RF, PL adapter possible
Stabilization & ND
  • Pocket 6K Pro — built-in ND filters (2, 4 and 6 stops)
  • Sony FX3 — 5-axis in-body stabilization
  • Canon EOS C70 — motorized ND wheel up to 10 stops
Recording
  • Pocket 6K Pro — direct recording over USB-C
  • Sony FX3 — dual card slots
Sound
  • Canon EOS C70 — XLR inputs
Connectivity
  • Pocket 6K Pro — HDMI, USB-C, 12 V power, audio input, mic and headphones
Control
  • Pocket 6K Pro — large rear touchscreen for framing and focus
Rigging
  • Pocket 6K Pro — cage and rails

02Gallery

From every angle.

Click a photo to view it full size.

03Behind the scenes

On set.

Depending on the project, we round out the kit: monitor feed, stabilizer, lighting, and the crew it takes.

Book a shoot

To book directly: booking@rednightsfilmz.com